I woke up on New Years Day and checked my phone as I always
do. I was hoping it was one of those infamous social media hoaxes that have
plagued many celebrities over the last few years..
“ Natalie Cole DEAD AT 65.”
Surely that could not be right. Natalie Cole, one of my
favorite singers could not be gone. No, not Natalie Cole! I began to search the
web. Often times, if it is a hoax there will be no other news but that one
article and that is usually a tell tale sign that it is a hoax and all is well
in the world.
But alas it was not. As soon as I typed in Natalie Cole the web blew up with
reports of her death and the reality set in. The legendary singer was gone.
Part of me knew before I typed in her name that it was true but I did not want
it to be. I knew that Natalie Cole had been looking frail for almost three
years and that something was amiss with her health. Then she had not posted
anything on her website or her Twitter account since September which was odd
for Cole as she often updated her website with tour updates. Then the news that
she had to cancel all of her October through December shows, those were not
good signs. Still I had just hoped that she was recovering from whatever
“medical procedure” her reps said she was dealing with, and she would emerge
healthier, stronger, and ready to step back on the stage.
But she was gone…
The first time I encountered Natalie Cole was in 1977 when I
was still in my mother’s womb when

she and her girlfriends saw Ms. Cole in
concert in Kansas City at Kemper Arena. Obviously, like the Parliament concert
I could not remember anything but I guess you can say I was predisposed to that
Natalie Cole sound. After that my first memories of Natalie Cole came in the
80s when she was making her comeback from years of drug abuse and she was in
the “Jumpstart My Heart”, “Pink Cadillac”, “I Live For Your Love” phase. Then
one day I heard the song “Inseparable” at a wedding and wondered who sang the
song. I was about 11 years old. My dad told me it was Natalie Cole and I
remember going “The Pink Cadillac Lady?” "Inseparable" was so soulful and full of passion a far cry from "Pink Cadillac". I had to know what other
songs she had as I was too young to remember them when they were out in the
70s. I then started hearing songs like “I’ve Got Love on My Mind”, “Our Love”,
and the quintessential “I’m Catching Hell” on KPRS quiet storm and I was hooked
on Natalie Cole. My Aunt Ruth had a copy of her Unpredictable album from 1977
and listened to it on my 33 record player over and over especially “I’m
Catching Hell” and “I’ve Got Love on My Mind”.
I could not rectify in my mind that this was the same lady that was
singing the 80s music which was much more pop. While i liked her 80's stuff, I was like where was her Arethaesque music from the 70s?
Then of course you had the 90s Natalie, with the
Unforgettable album and she became this

international sensation. While I always
appreciated the jazz and standard Natalie Cole, I was a “You’re my morning
star….shining brightly beside me” and “I’m Catching Hell” fan.I appreciate the success of what Unforgettable...With Love did for her career and the legions of new fans it bought her, but I felt that sometimes it eclipsed her R&B music. One could argue it made people go back and listen to her old stuff for those who had not heard of Natalie Cole. Of course
Natalie needed to do the jazz and make peace with her father's passing and his legacy and what she did with her father's music was incredible. The virtual duet she did with her father was phenomenal and ahead of its time, but I always felt
like we needed more of the soulful Natalie as well, but as I got older I appreciated the
fact that Natalie was a diverse, and talented lady. You could not put her in a
box. Like Aretha Franklin, she could sing it all. Yet I still wished for
Natalie to bring back her soulful roots and when I found out she was going to
be appearing on Sinbad’s 70’s Jam back in 1996, I got my wish. I was in college and was looking forward to that performance all day. Natalie was
going to be doing her 70’s jams. No "Unforgettable", no standards, that night I got
the Natalie I missed, and from the reaction that Natalie’s fans were giving
her, they missed that gritty soulful Natalie. She nailed it that night starting with "Mr. Melody" and ending with her signature closer “Our Love”. Natalie reigned supreme. She could do it all. But let's not forget Natalie was a superstar in her own right before the 90s.
After that night, I began to get immersed in Natalie Cole,
reading her old magazine articles in Ebony and Jet. I watched her Behind The
Music episode when it premiered back in 1999 on VH1 and really got to understand her and the talent that she
has. The reasons behind her very publicized drug use and her victorious defeat
against the drug demon. After watching that special, I was even a bigger fan.
When I began to collect albums, I had to of course get all of the Natalie Cole
classic period albums from 1975’s Inseparable to 1978’s Natalie Live! Of course I had her greatest hits CD but the albums are special. Natalie like Chaka Khan mastered the album cut mainly due to the songwriting team of Chuck Jackson and Marvin Yancy who wrote a majority of her hits but Cole wrote a few as well. Of course we all know the popular hits like "This Will Be", but what do you know about "La Costa", "Peaceful Living", "No Plans For The Future" and "Keeping A Light On"? You really get a deeper understanding of Natalie by listening to her entire albums. As I am
writing this, I am listening to the Natalie Live! album and hearing her bring the house
down on not just her classics but giving stunning renditions of The Beatles
“Lucy In The Sky With Diamonds”, and Janice Joplin’s “Cry Baby”. Natalie was
truly the jack-of-all-trades. Whenever, I go to the beach, I often play "La Costa" one of my favorite songs and I always think of the Thankful (see below) album that displayed an elegant painting of Natalie which looks like she is walking along the beach singing that very song. "La Costa" is truly one of Natalie's best performances. It is a brilliant piece co-written by Cole herself. I often wondered why she did not perform it more even when she was doing jazz and standards as the song would have fit perfectly. It is my second favorite Natalie song (ranking only behind "Inseparable").
"Picture yourself on the sea of a setting sun, the salty air and the taste of your lovers hair. Inside you want to fly. Ah yi yi yi yi yi yi." "La Costa" - Natalie Cole 1977.
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| Natalie Cole's Classic Period Albums |
As Natalie Cole was laid to rest today, and I saw the news
cover her homegoing service. I was grateful that I could see just a little bit
of it, but I also was a little frustrated because I feel that even in death,
Natalie Cole’s musical accomplishments and media coverage of the legendary
diva, was undersold and I felt that the legendary singer deserved better. Often times, when
legendary divas are mentioned we hear the names Aretha, Gladys, Diana, Patti, Chaka,
Whitney, Mariah, and Dionne. Often times, Natalie is left off that list. I
have seen several Aretha, Patti, Diana and Gladys tributes at award shows over the years, but only
one Natalie Cole tribute. I think that is purely unfair. I mean Natalie slayed in the 70s’ and her musical contributions cannot be ignored. Just
listening to this live album after Natalie ending the set with “Be Thankful”
the audience is demanding more. Natalie certainly gave Aretha, the biggest diva
a run for her money in the late 70s.
In the short period of five years from 1975 to 1979 Natalie
essentially became an overnight sensation. She was a game changer. The only other soulful singers that had a meteoric rise to the top like that were the late Whitney Houston and Mariah Carey but that was twenty years AFTER Natalie Cole. In just a period of five years, Natalie Cole:
· Won
Best New Artist at the 1975 Grammy Awards and won Best R&B Female an award
that had been won only by Aretha Franklin for the last 9 years. Natalie Cole
(not Gladys, not Chaka, Patti, or Dionne) was able to accomplish that. To beat Aretha Franklin, the "Queen of Soul" in your first nomination (No shade to Aretha) that is huge. And through that feat, Natalie remained humble. She never wanted to take the title or compete with Aretha Franklin.
· From
1975 to 78, Natalie scored five Number 1 R&B singles. The only other diva
to do something close to that was Aretha and then Whitney Houston after her. Between 1975 and 1980, Natalie cranked out 6 Gold and 2 Platinum albums.
 |
| Natalie Cole at 1978 American Music Awards (photo provided by Corbis) |
· In
1978, Natalie was one of the few African-American acts to have her network
television special. Before Beyoncé, Before Rhianna, captivated
audiences with their network specials, Natalie showed her crossover appeal, wowing a diverse audience with her hits “Inseparable”,
and “I’ve Got Love on My Mind” as well as duets with Johnny Mathis, Earth, Wind
& Fire, Stephen Bishop, and for one of the first times, singing a glowing
tribute to her father Nat “King” Cole with Mona Lisa Smile that moved Natalie
Cole to tears and brought down the house. The only other soul divas at the time that got offered specials were Diana Ross and Donna Summer.
· In
1979 Natalie Cole was awarded a star on the Hollywood Walk of Fame. This is significant because Natalie had only
been in the business for only five years so that was unheard of. The eligibility rules from the
Hollywood Chamber of Commerce are that a celebrity has to be in the industry for
five years. However, it normally takes years and years after that for a
celebrity to be awarded the star in some cases 30 years. Natalie did it in basically 4 ½ years. Also at the end of 1979, JET magazine named Marvin Gaye and Natalie the "Top Stars of Decade" on Jet's Soul Chart (see picture). That is huge. Natalie had been on the scene for only five short years and was given this honor over her fellow soul contemporaries such as Aretha Franklin, Stevie Wonder, Diana Ross and even Michael Jackson? Natalie Cole was on top in 1979.
Basically, Natalie Cole kicked ass!
Yet the media coverage on Natalie Cole even in death has
been lackluster to me. As I am seeing the news right now, David Bowie’s death
has received massive news coverage and rightfully so but didn’t Natalie deserve
the same? She has paved the way for so many of today’s singers including Mary
J. Blige, Ledesi, and Alicia Keys. Who has not been to a wedding and heard the
song “Inseparable” or “Our Love as one of the selections?
But enough on that, Natalie in my eyes, you are a superstar.
You became a star in your own right. You were not just “Nat King Cole’s
daughter” as the media constantly calls you. You were the singer,
songwriter, diva, actress, mother, talented, and THE LEGENDARY Natalie Cole. You are (not were) one of the
best.
Rest well Natalie, your music lives on.
As your song goes…” And we’ll have each other…Our Love”
Always a fan,
Chris Gilrath II
Natalie’s Best: Gilrath’s Favorite Natalie Cole Songs
1.
Inseparable (Inseparable, 1975)
2.
La Costa (Thankful, 1977)
3.
I’ve Got Love on My Mind
(Unpredictable, 1977)
4.
Our Love (Thankful, 1977)
5.
I’m Catching Hell [Living Here Alone]
(Unpredictable, 1977)
6.
This Will Be (An Everlasting Love)
(Inseparable, 1975)
7.
Keeping A Light On (Thankful, 1977)
8.
Sophisticated Lady (She’s A Different
Lady) (Natalie, 1976)
9.
Good Morning Heartache (Natalie, 1976)
10. Mr.
Melody (Natalie, 1976)
11. Peaceful Living (Unpredictable, 1977)
12. I Live For Your Love (Everlasting, 1988)
13. Your Eyes (Unpredictable, 1977)
14. Unforgettable (Unforgettable with Love, 1991)
15. I Can’t Say No (Inseparable, 1975)
16. Annie Mae (Thankful, 1977)
17. Say You Love Me (Snowfall on the Sahara, 1999)
18. Mona Lisa Smile (Unforgettable with Love,
1991)
19. Miss You Like Crazy (Good To Be Back, 1989)
20. Lovers (Live) (Natalie Live!, 1978)