Unsung: The Story of Black Music
Did you know that the song “Love’s Train” by the R&B funk band Con Funk Shun was actually the tale of a real life love triangle between the group’s two lead singers Michael Cooper and Felton Pilate and a woman? The Marvelettes garnered the first number one hit for Motown with “Please Mr. Postman.” Donny Hathaway’s life and creativity were tarnished by his battle with paranoid schizophrenia. I am sure many wonder why Atlantic Starr has gone through so many female singers. Whatever happened to teen sensations Stacy Lattisaw and The Sylvers after they grew up? How did Angela Bofill survive two strokes? Who knew that the rough and tough guys of Full Force had produced hits for some of today’s pop megastars such as Brittany Spears and Backstreet Boys? This information is not covered on entertainment shows such as Entertainment Tonight, Extra, and The Insider, but thanks to the network TvOne and their runaway hit show Unsung.
We all know the stories of superstar divas Patti Labelle, Chaka Khan, Tina Turner, Natalie Cole, and Mary J. Blige but what about the forgotten divas Phyllis Hyman, Melba Moore, Evelyn King and Miki Howard? Why is it that these soulful ladies never achieved crossover success?
Thanks to Unsung, we have those answers. Fans now know what cut the careers of The DeBarge family short as we saw their very personal battle with drug abuse and how they are still dealing with the after affects of the physical and sexual abuse they suffered at the hands of their father. We always wondered why Rene & Angela broke up, and like Rene & Angela we wondered if Cherelle and Alexander O’Neal, Marvin Gaye and Tami Terrell were a real life couple because of their undeniable chemistry and stage presence. We were inspired by Winbush’s story of battling stage four ovarian cancer and how she beat the illness and is now sharing her testimony across the nation. Yet despite being a prolific songwriter and artist, crossover success has continued to allude her.
The television show puts back in focus the otherwise forgotten artist of R&B, funk, soul, gospel and hip-hop and shares their often tragic and sometimes motivating stories of survival and triumph. Usually, the subjects of the documentary are often music acts whose careers were cut short due to changing musical taste, personal demons, tragedy, illness, and infighting within the groups or bands or because their voices or commodity was dubbed too soulful and lacked crossover appeal for record labels to get them to superstardom. The show is really unique because it gives a lot of these artists a spotlight to share their stories whereas a lot of other networks would consider these acts washed up, yesterday’s news or simply just not relevant enough to give attention to. Where else can you get the stories of Minnie Riperton the singer with the seven octave range that influenced Mariah Carey’s upper register? Riperton’s light was dimmed too soon by breast cancer. The bands Klymaxx and Con Funk Shun, both family and friend units united by a dream and togetherness then ripped apart by fame, greed, and infighting. The dominating theme of the show is that a lot of the artists contributions to not just black music but American music been all but ignored by the mainstream.
The show is similar to VH1’s Behind The Music in that goes inside the life of an artist, band or duo. Yet unlike Behind The Music; the artist on Unsung did not reach the pinnacle of their success like the subjects covered on VH1 such as Mary J. Blige, Jennifer Lopez, and P Diddy.
Unsung also serves as a cautionary tale to those wanting to crack into the music industry of what not to do when you make it big. For example, if you are getting introduced to drugs and alcohol on the Hollywood scene and are tempted to partake, then one might want to look at the stories of Sly Stone and DeBarge, who are still suffering the mental, physical, and financial consequences of decades of decadence and drug addiction. David Ruffin paid with his life. If you are a group or duo and you want to keep your group together, than you can look at the stories of Arrested Development, Shalamar, and Atlantic Starr who all disbanded at one time because of infighting and conflicts over leadership, money and creative differences. Some of the members of these groups are not even on speaking terms.
The documentary show also shows you how demonic the music industry can be on artists who have fell victim to the corporate giant. 80’s soul diva, Vesta Williams shared her heartbreaking story of how her record company never fully got behind her albums because she was “too soulful” and possibly too heavy and how it led to a feeling of rejection and abandonment that she could never fully shake. Williams was never allowed to have the pop crossover success like her other 80’s soul contemporaries Anita Baker, Sade, and her then label mate Janet Jackson. Williams even claims that the money that was made off her records was put behind a “different artist”. Could that “artist” have been Janet Jackson? Tragically, Williams died shortly after she taped her interviews for the show.
Freddie Jackson fell victim to his record label and production company taking a majority of his money. Phyllis Hyman never got the push and attention at her record label because Arista Records executives began to focus on their primary divas Aretha Franklin, Dionne Warwick, and then newcomer Whitney Houston who execs felt had more crossover appeal. George Clinton, leader of Parliament Funkadellic and a Rock And Roll Hall of Fame recipient has to still tour a majority of the year, not because he loves to but because of financial necessity. He signed over his publishing rights to his music years ago to fund his groundbreaking yet expensive tours and to pay his band members. George Clinton’s music is some of the most sampled music in hip-hop. However, the funk pioneer cannot reap the rewards of his harvest, instead those royalties go to his first record company that he signed the rights to (Clinton has appealed and fought unsuccessfully to overturn this court decision).
Unsung also shows variety in their selections. It is not just one genre of music that they focus on. Die hard hip-hop fans can find out what happened to The Fat Boys, Kool Moe Dee, and Big Daddy Kane, while hard core blues and soul artists can be entertained and enlightened by the stories of Millie Jackson and Bobby Womack, who would never get media attention on MTV, VH1, and even BET. Funkateers like myself can find out what happened to Parliament, Bootsy, The Ohio Players and The BarKays. Even gospel artists such as The Clark Sisters get their stories told on the show. There is something for everyone.
Unsung also shows that just because you were on Motown, arguably the most famous record label in history, it did not guarantee that you were going to reach superstar status. Just ask Mary Wells, The Marvelletes, and Teena Marie. The Marvelletes who put the label on the map by giving Motown their first gold record, got lost in the shuffle when other artist such The Supremes, Stevie Wonder, The Temptations, and The Jackson Five became the label’s primary focus. The group even lost their name when a greedy producer stole the name from under them and developed a copycat group of Marvelletes that contained no original members. Lead singer, Gladys Horton, who tried to reform the band in the 90s, could not even do so because the producer of the copycat band threatened to sue her. Many of Horton’s friends and family members would argue that this would lead to Gladys’s death, because she ultimately died from the stress and strain of it all or even from a broken heart. Tragic indeed.
Unsung is a show that keeps on giving. It puts forgotten artist back in the limelight, who some of us even hardcore music fans may have forgotten. I wonder what the show does to sells of artist records and concert shows, when their episodes premier. As the current season comes to close, us diehard music fans are already wanting more and anticipating who will be on the next season. Thank you TvOne for shining the light on these artists who would otherwise go unnoticed. Keep the good stories coming.
Gilly’s Favorite Unsung Episodes:
1. DeBarge
2. Donny Hathaway
3. Zapp
4. David Ruffin
5. The Marvelettes
6. Arrested Development
7. Tami Terrell
8. Minnie Riperton
9. The Sylvers
10. Con Funk Shun
11. Freddie Jackson
12. Atlantic Starr
13. Vesta Williams
14. Bootsy
15. Parliament Funkadellic
16. Deniece Williams
Suggested Artist For Future Unsung Episodes:
1. Midnight Star
2. Kashif
3. Slave
4. L.T.D/Jeffrey Osborne
5. Grover Washington Jr.
6. Lisa Fischer
7. The Brothers Johnson
8. Mtume
9. Grand Master Flash
10. Lauryn Hill (Hill had major success indeed, but her personal demons and success has derailed her music career. She has yet to reach the heights of her debut album that is why she is Unsung)
11. DeAngelo
12. The Jones Girls
13. The Emotions
14. SOS Band
15. Tevin Campbell
16. Vanity 6
17. The Time (I doubt Morris will participate as I am sure he will say he is not “Unsung”
18. Johnny “Guitar” Watson
19. ZZ Hill
20. Walter Hawkins and The Hawkins Singers
21. Guy
22. Another Bad Creation
23. Bobby Brown
24. Kris Kross
25. The Fugees
26. Shirley Murdock
27. Yarbrough & Peoples
28. Cheryl Lynn
29. SWV
30. Mary Jane Girls
31. Jodeci
32. Soul II Soul
33. Sister Sledge
34. Cameo
35. The Stylistics
Which artist do you feel are Unsung? There are so many.